[announce] Hörbar / Newsletter Oktober

Hörbar e.V. - Konzert- und andere Ankündigungen hoerbar-announce at lists.hoerbar-ev.de
Di Okt 7 13:37:33 CEST 2025


Liebe Listen, dear lists,
Liebe Freund:innen der Hörbar, dear friends of Hörbar,

Hörbar lädt ein! Hörbar is inviting!
Wir freuen uns, Euch das spannende Programm für Oktober vorstellen zu 
dürfen!
We are excited  to introduce the exciting October program!

*Mi, 08.10.2025, 20:00 Uhr - free entry*

*Hörbar: Arrival Cities: Hanoi*

Arrival Cities: Hanoi is an innovative fusion of music theatre and 
documentary film. This experimental work, created through a 
collaboration between director Jörgen Dahlqvist, composer Kent Olofsson, 
and the ensemble The Six Tones (Ngô Trà My, Nguyen Thanh Thủy, and 
Stefan Östersjö), explores the stories of migrants in Hà Nội.
The piece blends composed music with improvisation, while the 
documentary features interviews with rural-urban migrants, focusing on 
the lives of street vendors—primarily women—who balance work in the city 
with family life in the countryside. Central to the narrative is the 
story of Lưu Ngọc Nam, a Tuồng actor and costume maker, whose journey 
from the countryside to Hà Nội reflects the city’s rich cultural tapestry.
Arrival Cities: Hanoi is a poetic reflection on migration, memory, and 
the vibrant connections between tradition and modernity.

https://vamh.de/gigs/5401

*Mi, 15.10.2025, 20:00 Uhr*

*Hörbar: Ignaz Schick / David Wallraf*

Ignaz Schick

(*1972 in Germany)
Ignaz Schick is a Berlin based sound artist, composer & visual artist. 
He also performs as instrumentalist on turntables, sampler, objects, 
electronics, alto/baritone saxophones & flutes. He studied the saxophone 
& performed in free jazz & avant rock bands. At the same time he was getting
obsessed with multitrack tape machines, record players or effect boxes & 
he started experimenting with self built instruments & sound making 
devices. After college he briefly studied at the Academy of Fine Arts in 
Munich & worked as an assistant for contemporary composer Josef Anton 
Riedl. Since 1995 he lives/works in Berlin where he became an active & 
integral force of the so-called "Berlin Nouvelle Vague" & the blossoming 
"Echtzeitmusik" scene. He has been prolific as curator (Festival für 
Andere Musik, Erase & Reset, Time Shifts, TITO, Echtzeitmusiktage 2010, 
Flux Festival 2018, Fuchsfest 2021, REFLUX Festival 2022, ...) & runs 
the experimental music label Zarek.
He tours worldwide solo & with groups like Perlonex, Phosphor, Berlin 
Sound Connective, Nighthawk Kitchen, Tree People, Splitter Orchestra or 
ILOG and he has released over 75 albums on many international labels & 
his own imprint. He has collaborated with more than 200 international 
sonic artists – amongst others Mwata Bowden, John Butcher, Don Cherry, 
Douglas R. Ewart, Limpe Fuchs, Sven-Åke Johansson, Zbigniew Karkowski, 
George Lewis, Paul Lovens, Roscoe Mitchell, Toshimaru Nakamura, 
Charlemagne Palestine, Andrea Parkins, Andrea Neumann, Keith Rowe, Akira 
Sakata or Martin Tetreault.
Since 2012 he concentrates on conceptual composition, sound 
installations & research in different cities of the Global South. He 
directs the 12-15 piece workshop ensemble Circuit Training which focuses 
on conceptual, graphic & verbally instructed scores.

David Wallraf
David Wallraf is a noise artist and theorist from Hamburg. In their 
audio works they explore the acoustics of the uncanny: Field recordings, 
electromagnetic waves and obsolete audio technology are woven into 
soundtracks for the nightmare of 'capitalist realism'. Since 2013 they 
released about 80 solo works and collaborations. In February 2025, the 
tape album Crudeltá Necessaria will be released on Karlrecords. A 
collaboration with Jena Jang is due to be released on German tape label 
Econore in March. A recent interest has been live scoring of surrealist 
silent films, including works by Luis Buñuel, Maya Deren and Jean Genet.
David’s dissertation on noise, the book Grenzen des Hörens – Noise und 
die Akustik des Politischen (Limits of Hearing – Noise and the Acoustics 
of the Political) has been published in German, an English translation 
is in process.

https://davidwallraf.com/
https://davidwallraf.bandcamp.com/ <https://davidwallraf.com/>


*Mi, 22.10.2025, 20:00 Uhr
*

*Hörbar: Duo Duy Long & Fabian Neubauer / Lovis Determan*

*Duo Duy Long & Fabian Neubauer

The duo embodies a creative approach to music that prioritizes 
spontaneity and freedom above all
else. This open project is built on the philosophy of unpreparedness, 
inviting musicians to step into
a space where traditional expectations—be they instrumental, structural, 
or stylistic—simply do not
exist. It creates an environment that encourages pure improvisation, 
where each performance
becomes a living entity, shaped entirely by the moment and the 
atmosphere at hand.
In this realm of creativity, the music emerges organically, flowing from 
the interplay of sound,
silence, and space. Duy Luong and Fabian Neubauer engage in a profound 
dialogue, responding to
each other's musical impulses while remaining attuned to the nuances of 
the environment around
them. Every performance should be an exploration of the present, a 
reflection of the unique energy
**of the moment, and an opportunity to discover the unexpected.*

*https://duyluongfabianneubauer.bandcamp.com*

*
Lovis Determan

Lovis Determann lebt seit 2012 in Hamburg und ist als Gitarrist*in und 
Musiktherapeut*in tätig. Nach Beendigung des Bachelorstudiums im Fach 
Jazzgitarre, absolviert Lovis Determann das Musiktherapiestudium (MA) an 
der Hochschule für Musik und Theater Hamburg. Nicht nur musikschaffend, 
sondern auch forschend gilt Lovis Determanns Interesse der 
Improvisation. Nach einer explorativen Beschäftigung mit Möglichkeiten 
grafischer Notation, erschließt Lovis Determann für sich ein 
Forschungsfeld, in dem freie Improvisation, Intermedialität und 
Musiktherapie zusammenfließen. Dabei richtet Lovis Determann ein 
besonderes Augenmerk auf intermediale Transformationsprozesse - wie etwa 
zwischen Grafik, Musik und Sprache. Auch als Gitarrist*in entdeckt Lovis 
Determann in der interdisziplinären Begegnung verschiedener Kunstformen 
einen besonderen Reiz. Wie beispielsweise in der performativen Begegnung 
zwischen Musik, Rauminstallation, Licht und Schatten in Zusammenarbeit 
mit der Hamburger Künstlerin Suse Bohse oder in experimentellen 
Zusammentreffen von Musik und öffentlichem Raum mit der Band 
„SirBradley“, in der Lovis Determann festes Mitglied ist und die im 
Oktober 2022 ihr Debütalbum veröffentlicht hat*

*Mi, 29.10.2025, 20:00 Uhr*

*Hörbar: Duo Jena Jang & Sisto Rossi / By Fire*

*Jena Jang

Jena Jang is a South Korean audiovisual artist, experimental musician, 
DIY instrument builder, and performance-based researcher based in 
Prague, Czechia. Their multidisciplinary practice centres on trauma 
healing through the intensity of live performance, focusing on the 
circulation of energy between artist and audience, building affective 
connections with non-human beings, and musically interpreting organic 
structures found in nature.
**Their projects are grounded in field recording, experimental sound, 
and DIY electronics, drawing from diverse interests including urban 
noise, bio-art, birdsong studies, and somatic voice experimentation. 
They explore sound through circuit hacking, hand-soldered instruments, 
audio-reactive live visuals, miniature noise synth development, and the 
creation of recycled sound objects—often reconfiguring children's toys 
or discarded technologies.*

*https://jenajang.com*

*
Sisto Rossi

Sisto Rossi might became the keystone of the post industrial 
experimental/noise scene of the Ruhr Area. Originally from Tampa, 
Florida he appeared in western Germany around 2001, with plenty of 
energetic and creative live performances under several aliases. Also 
involved in label and concert activities during all this years, he is 
one of a kind in the so called Ruhr Area (now Hamburg) ever since. His 
work is focused on the research for sounds from gear, which he is also 
building by himself, and the possibilities of body experience through 
sound and room. As a result, Sisto creates a diverse universe of 
performances, depicting his personal physical reactions and thoughts 
about material and environment with his music.

By Fire

By Fire is a 1-man-drone-metal-love-army, a noise ambient rock 
congregation that has been releasing albums digitally and physically in 
small handmade editions and has been performing live in Germany since 
2022. They're looking forward to release further music and to play in 
Germany and neighboring countries and are planning on that for 2026. 
Maybe they get a befriended full-time or part-time bass player on board.
By Fire come from Berlin and the wilderness around and love to play for 
almost everyone almost everywhere almost anytime - and whether you want 
a full body sound massage.
By Fire's only band member and guitarist Chris played in the similar 
1-man-band Christopher Colossus from 2015 untill 2022. He's been 
playing, performing, touring and releasing albums physically and 
digitally with bands since the 90ies and is still playing noise rock, 
sludge, grindcore with them - and also solo as a singer/songwriter with 
German and English lyrics.

https://byfirebyfirebyfire.bandcamp.com/ 
<https://byfirebyfirebyfire.bandcamp.com/>
https://www.instagram.com/amperor_chris/
*

*Fr, 31.10.2025, 20:00 Uhr*

*Hörbar: Duo Monchocé-Studer / Gregory Büttner / Birgit Ulher*


Monchocé-Studer

Sylvain Monchocé (www.sylvainmonchoce.com) ist ein Multiinstrumentalist 
und Improvisator. Er interessiert sich für „musique concrète 
instrumentale“ und hat für jedes seiner Instrumente einzigartige 
erweiterte Techniken entwickelt, die Klänge zwischen Elektronik und 
Akustik erzeugen. Monchocé interessiert sich besonders für granulare 
Atemgeräusche, Multiphonics, Obertöne und Stille und spielt 
hauptsächlich frei improvisierte Musik, aber auch das Repertoire der 
zeitgenössischen und klassischen Musik. Er ist bereits in Frankreich, 
Belgien, der Schweiz, Deutschland, Ungarn, Österreich, Dänemark, Polen, 
Kanada, Südkorea und Japan aufgetreten.

Daniel Studer (www.danielstuder.ch), Kontrabass, Improvisation, Komposition.
1961*, lebte und arbeitete von 1981 bis 1995 in Rom.
Sein Schwerpunkt liegt auf Improvisation und Mischformen aus 
Improvisation und Komposition. Er beteiligte sich an verschiedenen 
Projekten mit Raum, Live-Elektronik, Text, Tanz, Musik und Video.
Aufnahmen mit dem Kontrabassduo Studer-Frey, Kimmig-Studer-Zimmerlin, 
Giancarlo Schiaffini Quintet, Solo, Eichenbergers Domino, 
Friedli-Studer-Ulrich, Streichtrio Coen-Penazzi-Studer, George Lewis, 
John Butcher und anderen bei HatHut, ezz-thetics, Leo Records, Edition 
RZ, EMANEM.
Spielte u.a. mit Jacques Demierre, Hans Koch, Joëlle Léandre, Frantz 
Loriot, Paul Lovens, Magda Mayas, Evan Parker, Elliott Sharp, Philip 
Zoubek.
Festivals: Festival New Music Ostrava, Tage für Neue Musik Zurich, 
Huddersfield Contemporary Music Festival, Nickelsdorfer Konfrontationen, 
Festival Densités, Controindicazioni Roma, Ulrichsberger Kaleidophon, 
Willisau Jazz Festival, World New Music Days, Festival Yokohama.

Birgit Ulher

Birgit Ulher lives as a freelance musician, sound artist and composer in 
Hamburg. After her studies in the field of visual arts, she developed 
her own playing techniques and
preparations with trumpet, radio, loudspeakers and objects. Apart from 
this material research, her special interest lays in the relationship 
between silence and sound. Her work includes acoustic and 
electroacoustic projects, solo performances, concert and sound 
installations, videos, concept pieces and concerts in the field of 
improvised / experimental music. She has received numerous grants from 
QO-2 Werkplaats (Brussels), Künstlerhaus Lukas (Ahrenshoop), AIR (Mexico 
City and Krems), among others, and travels internationally with her 
concert activities.

Gregory Büttner

Gregory Büttner lives and works as a musician and artist in Hamburg. 
Since 2000 his main focus is on sound art and electroacoustic 
compositions. He composed music for dance and performance, radio, video 
and sound installations and he performed at festivals and concert series 
in Europe, China and Chile. His music is released by international 
labels and his own label, 1000füssler.
In concerts he plays his electroacoustic music by using different small 
external loudspeakers and objects. At the same time these sounds are 
modulated by resonating objects placed on the speaker and by several, in 
everyday life used resonance bodies.
www.gregorybuettner.de



Liebe Grüße and see you at the Hörbar!


-- 
Hörbar e.V.
Association for Experimental Music Hamburg
Brigittenstraße 5, 20359 Hamburg
http://www.hoerbar-ev.de/
contact at hoerbar-ev.de
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