[announce] Hörbar / Newsletter Oktober
Hörbar e.V. - Konzert- und andere Ankündigungen
hoerbar-announce at lists.hoerbar-ev.de
Di Okt 7 13:37:33 CEST 2025
Liebe Listen, dear lists,
Liebe Freund:innen der Hörbar, dear friends of Hörbar,
Hörbar lädt ein! Hörbar is inviting!
Wir freuen uns, Euch das spannende Programm für Oktober vorstellen zu
dürfen!
We are excited to introduce the exciting October program!
*Mi, 08.10.2025, 20:00 Uhr - free entry*
*Hörbar: Arrival Cities: Hanoi*
Arrival Cities: Hanoi is an innovative fusion of music theatre and
documentary film. This experimental work, created through a
collaboration between director Jörgen Dahlqvist, composer Kent Olofsson,
and the ensemble The Six Tones (Ngô Trà My, Nguyen Thanh Thủy, and
Stefan Östersjö), explores the stories of migrants in Hà Nội.
The piece blends composed music with improvisation, while the
documentary features interviews with rural-urban migrants, focusing on
the lives of street vendors—primarily women—who balance work in the city
with family life in the countryside. Central to the narrative is the
story of Lưu Ngọc Nam, a Tuồng actor and costume maker, whose journey
from the countryside to Hà Nội reflects the city’s rich cultural tapestry.
Arrival Cities: Hanoi is a poetic reflection on migration, memory, and
the vibrant connections between tradition and modernity.
https://vamh.de/gigs/5401
*Mi, 15.10.2025, 20:00 Uhr*
*Hörbar: Ignaz Schick / David Wallraf*
Ignaz Schick
(*1972 in Germany)
Ignaz Schick is a Berlin based sound artist, composer & visual artist.
He also performs as instrumentalist on turntables, sampler, objects,
electronics, alto/baritone saxophones & flutes. He studied the saxophone
& performed in free jazz & avant rock bands. At the same time he was getting
obsessed with multitrack tape machines, record players or effect boxes &
he started experimenting with self built instruments & sound making
devices. After college he briefly studied at the Academy of Fine Arts in
Munich & worked as an assistant for contemporary composer Josef Anton
Riedl. Since 1995 he lives/works in Berlin where he became an active &
integral force of the so-called "Berlin Nouvelle Vague" & the blossoming
"Echtzeitmusik" scene. He has been prolific as curator (Festival für
Andere Musik, Erase & Reset, Time Shifts, TITO, Echtzeitmusiktage 2010,
Flux Festival 2018, Fuchsfest 2021, REFLUX Festival 2022, ...) & runs
the experimental music label Zarek.
He tours worldwide solo & with groups like Perlonex, Phosphor, Berlin
Sound Connective, Nighthawk Kitchen, Tree People, Splitter Orchestra or
ILOG and he has released over 75 albums on many international labels &
his own imprint. He has collaborated with more than 200 international
sonic artists – amongst others Mwata Bowden, John Butcher, Don Cherry,
Douglas R. Ewart, Limpe Fuchs, Sven-Åke Johansson, Zbigniew Karkowski,
George Lewis, Paul Lovens, Roscoe Mitchell, Toshimaru Nakamura,
Charlemagne Palestine, Andrea Parkins, Andrea Neumann, Keith Rowe, Akira
Sakata or Martin Tetreault.
Since 2012 he concentrates on conceptual composition, sound
installations & research in different cities of the Global South. He
directs the 12-15 piece workshop ensemble Circuit Training which focuses
on conceptual, graphic & verbally instructed scores.
David Wallraf
David Wallraf is a noise artist and theorist from Hamburg. In their
audio works they explore the acoustics of the uncanny: Field recordings,
electromagnetic waves and obsolete audio technology are woven into
soundtracks for the nightmare of 'capitalist realism'. Since 2013 they
released about 80 solo works and collaborations. In February 2025, the
tape album Crudeltá Necessaria will be released on Karlrecords. A
collaboration with Jena Jang is due to be released on German tape label
Econore in March. A recent interest has been live scoring of surrealist
silent films, including works by Luis Buñuel, Maya Deren and Jean Genet.
David’s dissertation on noise, the book Grenzen des Hörens – Noise und
die Akustik des Politischen (Limits of Hearing – Noise and the Acoustics
of the Political) has been published in German, an English translation
is in process.
https://davidwallraf.com/
https://davidwallraf.bandcamp.com/ <https://davidwallraf.com/>
*Mi, 22.10.2025, 20:00 Uhr
*
*Hörbar: Duo Duy Long & Fabian Neubauer / Lovis Determan*
*Duo Duy Long & Fabian Neubauer
The duo embodies a creative approach to music that prioritizes
spontaneity and freedom above all
else. This open project is built on the philosophy of unpreparedness,
inviting musicians to step into
a space where traditional expectations—be they instrumental, structural,
or stylistic—simply do not
exist. It creates an environment that encourages pure improvisation,
where each performance
becomes a living entity, shaped entirely by the moment and the
atmosphere at hand.
In this realm of creativity, the music emerges organically, flowing from
the interplay of sound,
silence, and space. Duy Luong and Fabian Neubauer engage in a profound
dialogue, responding to
each other's musical impulses while remaining attuned to the nuances of
the environment around
them. Every performance should be an exploration of the present, a
reflection of the unique energy
**of the moment, and an opportunity to discover the unexpected.*
*https://duyluongfabianneubauer.bandcamp.com*
*
Lovis Determan
Lovis Determann lebt seit 2012 in Hamburg und ist als Gitarrist*in und
Musiktherapeut*in tätig. Nach Beendigung des Bachelorstudiums im Fach
Jazzgitarre, absolviert Lovis Determann das Musiktherapiestudium (MA) an
der Hochschule für Musik und Theater Hamburg. Nicht nur musikschaffend,
sondern auch forschend gilt Lovis Determanns Interesse der
Improvisation. Nach einer explorativen Beschäftigung mit Möglichkeiten
grafischer Notation, erschließt Lovis Determann für sich ein
Forschungsfeld, in dem freie Improvisation, Intermedialität und
Musiktherapie zusammenfließen. Dabei richtet Lovis Determann ein
besonderes Augenmerk auf intermediale Transformationsprozesse - wie etwa
zwischen Grafik, Musik und Sprache. Auch als Gitarrist*in entdeckt Lovis
Determann in der interdisziplinären Begegnung verschiedener Kunstformen
einen besonderen Reiz. Wie beispielsweise in der performativen Begegnung
zwischen Musik, Rauminstallation, Licht und Schatten in Zusammenarbeit
mit der Hamburger Künstlerin Suse Bohse oder in experimentellen
Zusammentreffen von Musik und öffentlichem Raum mit der Band
„SirBradley“, in der Lovis Determann festes Mitglied ist und die im
Oktober 2022 ihr Debütalbum veröffentlicht hat*
*Mi, 29.10.2025, 20:00 Uhr*
*Hörbar: Duo Jena Jang & Sisto Rossi / By Fire*
*Jena Jang
Jena Jang is a South Korean audiovisual artist, experimental musician,
DIY instrument builder, and performance-based researcher based in
Prague, Czechia. Their multidisciplinary practice centres on trauma
healing through the intensity of live performance, focusing on the
circulation of energy between artist and audience, building affective
connections with non-human beings, and musically interpreting organic
structures found in nature.
**Their projects are grounded in field recording, experimental sound,
and DIY electronics, drawing from diverse interests including urban
noise, bio-art, birdsong studies, and somatic voice experimentation.
They explore sound through circuit hacking, hand-soldered instruments,
audio-reactive live visuals, miniature noise synth development, and the
creation of recycled sound objects—often reconfiguring children's toys
or discarded technologies.*
*https://jenajang.com*
*
Sisto Rossi
Sisto Rossi might became the keystone of the post industrial
experimental/noise scene of the Ruhr Area. Originally from Tampa,
Florida he appeared in western Germany around 2001, with plenty of
energetic and creative live performances under several aliases. Also
involved in label and concert activities during all this years, he is
one of a kind in the so called Ruhr Area (now Hamburg) ever since. His
work is focused on the research for sounds from gear, which he is also
building by himself, and the possibilities of body experience through
sound and room. As a result, Sisto creates a diverse universe of
performances, depicting his personal physical reactions and thoughts
about material and environment with his music.
By Fire
By Fire is a 1-man-drone-metal-love-army, a noise ambient rock
congregation that has been releasing albums digitally and physically in
small handmade editions and has been performing live in Germany since
2022. They're looking forward to release further music and to play in
Germany and neighboring countries and are planning on that for 2026.
Maybe they get a befriended full-time or part-time bass player on board.
By Fire come from Berlin and the wilderness around and love to play for
almost everyone almost everywhere almost anytime - and whether you want
a full body sound massage.
By Fire's only band member and guitarist Chris played in the similar
1-man-band Christopher Colossus from 2015 untill 2022. He's been
playing, performing, touring and releasing albums physically and
digitally with bands since the 90ies and is still playing noise rock,
sludge, grindcore with them - and also solo as a singer/songwriter with
German and English lyrics.
https://byfirebyfirebyfire.bandcamp.com/
<https://byfirebyfirebyfire.bandcamp.com/>
https://www.instagram.com/amperor_chris/
*
*Fr, 31.10.2025, 20:00 Uhr*
*Hörbar: Duo Monchocé-Studer / Gregory Büttner / Birgit Ulher*
Monchocé-Studer
Sylvain Monchocé (www.sylvainmonchoce.com) ist ein Multiinstrumentalist
und Improvisator. Er interessiert sich für „musique concrète
instrumentale“ und hat für jedes seiner Instrumente einzigartige
erweiterte Techniken entwickelt, die Klänge zwischen Elektronik und
Akustik erzeugen. Monchocé interessiert sich besonders für granulare
Atemgeräusche, Multiphonics, Obertöne und Stille und spielt
hauptsächlich frei improvisierte Musik, aber auch das Repertoire der
zeitgenössischen und klassischen Musik. Er ist bereits in Frankreich,
Belgien, der Schweiz, Deutschland, Ungarn, Österreich, Dänemark, Polen,
Kanada, Südkorea und Japan aufgetreten.
Daniel Studer (www.danielstuder.ch), Kontrabass, Improvisation, Komposition.
1961*, lebte und arbeitete von 1981 bis 1995 in Rom.
Sein Schwerpunkt liegt auf Improvisation und Mischformen aus
Improvisation und Komposition. Er beteiligte sich an verschiedenen
Projekten mit Raum, Live-Elektronik, Text, Tanz, Musik und Video.
Aufnahmen mit dem Kontrabassduo Studer-Frey, Kimmig-Studer-Zimmerlin,
Giancarlo Schiaffini Quintet, Solo, Eichenbergers Domino,
Friedli-Studer-Ulrich, Streichtrio Coen-Penazzi-Studer, George Lewis,
John Butcher und anderen bei HatHut, ezz-thetics, Leo Records, Edition
RZ, EMANEM.
Spielte u.a. mit Jacques Demierre, Hans Koch, Joëlle Léandre, Frantz
Loriot, Paul Lovens, Magda Mayas, Evan Parker, Elliott Sharp, Philip
Zoubek.
Festivals: Festival New Music Ostrava, Tage für Neue Musik Zurich,
Huddersfield Contemporary Music Festival, Nickelsdorfer Konfrontationen,
Festival Densités, Controindicazioni Roma, Ulrichsberger Kaleidophon,
Willisau Jazz Festival, World New Music Days, Festival Yokohama.
Birgit Ulher
Birgit Ulher lives as a freelance musician, sound artist and composer in
Hamburg. After her studies in the field of visual arts, she developed
her own playing techniques and
preparations with trumpet, radio, loudspeakers and objects. Apart from
this material research, her special interest lays in the relationship
between silence and sound. Her work includes acoustic and
electroacoustic projects, solo performances, concert and sound
installations, videos, concept pieces and concerts in the field of
improvised / experimental music. She has received numerous grants from
QO-2 Werkplaats (Brussels), Künstlerhaus Lukas (Ahrenshoop), AIR (Mexico
City and Krems), among others, and travels internationally with her
concert activities.
Gregory Büttner
Gregory Büttner lives and works as a musician and artist in Hamburg.
Since 2000 his main focus is on sound art and electroacoustic
compositions. He composed music for dance and performance, radio, video
and sound installations and he performed at festivals and concert series
in Europe, China and Chile. His music is released by international
labels and his own label, 1000füssler.
In concerts he plays his electroacoustic music by using different small
external loudspeakers and objects. At the same time these sounds are
modulated by resonating objects placed on the speaker and by several, in
everyday life used resonance bodies.
www.gregorybuettner.de
Liebe Grüße and see you at the Hörbar!
--
Hörbar e.V.
Association for Experimental Music Hamburg
Brigittenstraße 5, 20359 Hamburg
http://www.hoerbar-ev.de/
contact at hoerbar-ev.de
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