[announce] Konzerte im November

Fr Okt 8 10:04:45 CEST 2010

hörbar

verein zur förderung experimenteller musik

brigittenstraße 5 (im b-movie)

20359 hamburg

tel : 040 / 430 58 67

(mittwochs 20-1 uhr)

www.hoerbar-ev.de

Die Konzerte im November

Folgende Termine stehen für den November fest:

*Mittwoch, 03. November*

An diesem Tag fällt der gewohnte Mittwoch  Abend in der Hörbar aus.

Stattdessen veranstaltet das *B-Movie *ihr ebenfalls empfehlenswertes
*Sonar-Festival.
*

Näheres unter:

http://www.b-movie.de/

*Mittwoch,  10. November*

*Dafna Naphtali (*BROOKLYN, New York)**

Dafna Naphtali is a
sound-artist/improviser/composer/singer/guitarist/electronic-musician. An
active and versatile performer, she has been performing and composing since
the mid-90’s using her custom Max/MSP programming for sound processing of
voice and other instruments. She co-leads the digital chamber punk ensemble,
What is it Like to be a Bat with Kitty Brazelton (http://www.whatbat.org)
and has collaborated / performed with many experimental musicians and video
artists, such as Lukas Ligeti, David First, Chuck Bettis, Joshua Fried, Ras
Moshe, Alexander Waterman, Kathleen Supové and Hans Tammen, Benton-C
Bainbridge and Angie Eng among others, and is a member of Magic Names vocal
ensemble championing the vocal work of Stockhausen.

http://www.myspace.com/dafnanaphtali

http://dafnalula.blogspot.com/

* *

*Mittwoch, 17. November*

Präsentiert Radio Gagarin ein kleines Noise-Festival mit folgenden
Projekten:

*THE RITA (Vancouver, British Columbia, Canada)*

*Sam McKinlay*

The Rita, a sound art project by Sam McKinlay, practices in the media arts
audio genre termed as ‘harsh noise’.  The Rita’s first recorded document was
released in 1996 and has participated in live audio performances since 2002.
Many of McKinlay’s international audio CD, LP, cassettes, and live
performances are also under his sound art moniker The Rita.  The genre of
‘harsh noise’ is a part of the world of academic experimental sound and
performance with the use of various live and pre- recorded analog sources,
distortion pedals, large amplifiers, and sometimes visuals.  The Rita’s live
audio sets are characterized as being very loud, abrasive, textural,
dynamic, and visceral as the live shows and recorded documents are powerful
examples of the possibilities of abstracted sound and its effect on the
listeners

http://bakurita.blogspot.com http://bakurita.blogspot.com

*Oscillating Innards (Portland, Oregon, USA)*

*Gordon Ashworth*

The dynamic live sets of Oscillating Innards consist of visceral
electro-acoustic noise, textural collages of tape manipulation, and
overwhelmingly cathartic vocal and physical presence.  Performances and
audio documents have often used acoustic objects in unusual but highly
effective manners, i.e. an entire car door and bumper, a metal file cabinet,
a boat propeller, a prepared piano, a power drill and broken cymbals.  Use
of such objects lends to a form a physical, concrete parallel to the aural
impressionism.

http://forcedbloom.com

*Freitag, 26. November *

*Gene Coleman (USA)*

Gene Coleman is a composer, musician and artistic director. He has created
over 40 works for various instrumentation, often-using complex notations and
improvisation in the same score. Radical use of the instrument's sound
producing possibilities makes Coleman, both as a composer and as a
performer, a musician who seeks a greater synthesis between what is called
sound (or noise) and what is called music. Since 2001 his work has focused
on globalization and music’s relationship with architecture and video.

http://www.soundfield.org/genecoleman.html
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