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<div class="pre" style="margin: 0px; padding: 0px;">Liebe Listen,
dear lists,</div>
<div class="pre" style="margin: 0px; padding: 0px;">Liebe
Freund:innen der Hörbar, dear friends of Hörbar,<br>
<br>
Hörbar lädt ein! Hörbar is inviting!<br>
Wir freuen uns, Euch das spannende Programm für November
vorstellen zu dürfen!<br>
We are excited to introduce the exciting November program!</div>
<div class="pre"
style="margin: 0; padding: 0; font-family: monospace"><font
size="4"><br>
</font></div>
<b><font size="5">Fr, 28.11.2025, 20:00 Uhr<br>
</font></b>
<p><b><font size="5">Trio Li, Müller, del Avellanal Carreño / Edith
Steyer / Pascal Marzan</font></b></p>
<b>Zhuoni Li, Matthias Müller, José del Avellanal Carreño</b><br>
Lullabies for Dinosaurs: Sound performance for voices and
electronics<br>
<p>What if creatures from the distant past could still hear us?
“Lullabies for Dinosaurs” is a sound performance for voices and
electronics, weaving noisy textures, heartfelt melodies,
mysterious drones and bright synthesised sounds into imagined
songs for beings that have vanished.<br>
Through a fusion of live performance, extended vocal techniques,
and immersive electronic textures, the work invites audiences into
an evocative sonic journey, exploring the echoes of lost worlds
and unrealized possibilities.</p>
<b>Edith Steyer</b><br>
<br>
Edith Steyer is an improvising and experimental clarinet and
saxophone player, deeply embedded in Berlin's Echtzeitmusikszene.
Their musical interests lie in creating spacy and often noisy
soundscapes, built upon structure, texture, and form. Transparency
and density are key elements in their music, achieved through the
interplay of individual sonic events and layered sound.<br>
A defining characteristic of their practice is the integration of
the Rumberger pickup, embedded within the clarinet's body. This
allows the instrument to transcend its traditional role,
transforming it into a percussive sound source. Steyer employs
various preparations and extended techniques to construct abstract
sound images.<br>
Performing for an audience, armed with their instrument and
electronic devices, Steyer guides listeners through a journey of
improvisation. This act of artistic expression is also a form of
self-exposure, venturing into an uncertain future. Each performance
carries the inherent risk of failure, mirroring Steyer's personal
situation: the interplay of inner and outer conditions as a
psychological and social being, and the inherent insecurity of life
itself.<br>
<a href="https://www.edith-steyer.de/" class="moz-txt-link-freetext">https://www.edith-steyer.de/</a><br>
<a href="https://edithsteyer.bandcamp.com/"
class="moz-txt-link-freetext">https://edithsteyer.bandcamp.com/</a><br>
<br>
<p><b>Pascal Marzan</b></p>
Currently living in London, Pascal Marzan performs on a 10 string
microtonal guitar.<br>
After studying classical guitar – mainly devoted to the twentieth
century repertoire – and teaching guitar in several music schools in
Budapest, Hungary and France, Pascal has dedicated himself to free
improvisation and the exploration of microtonal tunings of his
instrument. His playing has been influenced by his interest in the
folk musics of Eastern Europe, Asia and Africa…<br>
He has recorded guitar duets with John Russell, Roger Smith (Emanem
records) and a trio with Sabu Toyozumi and Dan Warburton
(Improvising Beings records)…<br>
<a href="https://soundcloud.com/pascalmarzan"
class="moz-txt-link-freetext">https://soundcloud.com/pascalmarzan</a><br>
<p>Mit Unterstützung des Verbandes für aktuelle Musik Hamburg e.V.</p>
<br>
<p><b><font size="5">Mi, 10.12.2025, 20:00 Uhr</font></b><b><font
size="5"><br>
</font></b></p>
<p><b><font size="5">KARM / Vincent Dombrowski</font></b></p>
<p><b>K A R M</b><br>
Michal Wróblewski - alto saxophone and clarinet<br>
Torsten Papenheim - acoustic guitar and objects<br>
<br>
KARM is Michal Wróblewski (Prague) and Torsten Papenheim (Berlin).
With a purely acoustic<br>
setup the duo creates sonic spaces way beyond the familiar sounds
of their instruments.<br>
Playing in their own strict idiom, KARM focuses on subtle
developments, creating music that<br>
manages to be both spare and condensed.<br>
<br>
KARM has played numerous tours and festival appereances in
Germany, Czech Republic,<br>
Slovakia and Austria. In spring 2024 the duo toured in Japan.<br>
Their debut CD KRAM was released on Czech label Ma Records in
2022, the MC HAKO by KARM and koto player Kohsetsu Imanishi came
out on the same label in fall 2024.<br>
<br>
<a moz-do-not-send="true"
href="https://torstenpapenheim.de/performing-projects/karm/">www.karmduo.com</a><br>
<br>
<b>Vincent Dombrowski<br>
<br>
</b>In his solo project, Vincent Dombrowski explores the fragile
boundary between sound, memory, and the moment. Free improvisation
on the saxophone gives rise to fleeting sound shapes, which the
musician records live on cassette and then transforms into a
dialogical interplay with his own past, a duet between the present
and the echo.<br>
Through the use of guitar effects, spatial sound, and analog
distortion, Dombrowski expands the saxophone into a polyphonic,
breathing organism. His music unfolds between jazz, improvised
music, and experimental sound art: poetic, unpredictable, and
uncompromisingly anchored in the moment.<br>
<br>
<a moz-do-not-send="true" href="https://vincent-dombrowski.com">www.vincent-dombrowski.com</a><br>
<br>
</p>
Mit Unterstützung des Verbandes für aktuelle Musik Hamburg e.V.<br>
<br>
<p><b><font size="5">Mi, 17.12.2025, 20:00 Uhr</font></b><b><font
size="5"><br>
</font></b></p>
<p><b><font size="5">bandschlupf / Trio Lavalle, Khurgina, Gausepohl</font></b></p>
<p><b>bandschlupf </b></p>
<p>bandschlupf present their new album Permaton with a concert at
Hörbar.<br>
Their music moves between drone, ambient, noise, and even traces
of folk and breakbeats.<br>
It is created with custom Max/MSP patches, a bowed mountain banjo,
synthesizers, field recordings, and curious sound devices.<br>
Each performance unfolds in real time, shaped by improvisation and
chance.<br>
Permaton is based on 4-track tape recordings made during the
concert installation Klippklappklub at Galerie La Døns in
Hamburg’s Gängeviertel.<br>
A limited tape edition of the album will be available at the
Hörbar concert.<br>
They have previously released music on microrama records (Paris,
FR) and independently, created sound works for exhibitions in
Hamburg and Berlin, and performed at the Blurred Edges Festival,
the Chaos Computer Club, and in various clubs across Hamburg and
Italy, among other places.<br>
bandschlupf are Tim Ertl and Stefan Troschka.<br>
<br>
<a moz-do-not-send="true" href="http://bandschlupf.net"
class="moz-txt-link-freetext">http://bandschlupf.net</a><br>
</p>
<p><b>Trio: Max Gausepohl (Elektronik), Jeanne Lavalle (Fagott),
Elena Khurgina (Cembalo)<br>
</b><br>
The composition “Konversationen ohne Worte” (Conversations Without
Words) is an ongoing dialogue between harpsichord, bassoon, and
live electronics. Plucked strings and the warm wooden timbres of
the bassoon encounter digital modulations that pick up, stretch,
fragment, and weave their sounds into a multi-layered soundscape.
All instruments respond to each other and take turns playing the
role of initiator. The synthesized sounds of the electronics are
also picked up, mirrored, or continued by the harpsichord and
bassoon.<br>
The idea of dialogue is central: questions and answers lose their
clear assignment, analog and digital intertwine in a joint
performance. Sounds overlap, separate, and find each other again.
The dynamics and gestures of the performance give rise to a
wordless rhetoric, meaning and semantics form tone sequences and
their relationships, and dialogue emerges in the interplay of the
three instruments. Thus, “Conversations Without Words” becomes a
sonic exploration of communication—a space in which
interpretation, connotation, and controversy become audible.<br>
<br>
</p>
Mit Unterstützung des Verbandes für aktuelle Musik Hamburg e.V.
<p><b><font size="5"><br>
</font></b></p>
<p><font size="6"><b>28-29.12.2025</b></font></p>
<p><font size="6"><b>AUSKLANGFESTIVAL</b></font></p>
<p><font size="6"><b>more info soon!</b></font></p>
<p><br>
</p>
<br>
Liebe Grüße and see you at the Hörbar!
<pre class="moz-signature" cols="72">--
Hörbar e.V.
Association for Experimental Music Hamburg
Brigittenstraße 5, 20359 Hamburg
<a class="moz-txt-link-freetext" href="http://www.hoerbar-ev.de/"
moz-do-not-send="true">http://www.hoerbar-ev.de/</a>
<a class="moz-txt-link-abbreviated moz-txt-link-freetext"
href="mailto:contact@hoerbar-ev.de" moz-do-not-send="true">contact@hoerbar-ev.de</a></pre>
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